UTSTÄLLNINGSPLATSER och ADRESSER / EXHIBITION VENUES and ADDRESSES

Medverkande / Participants

BETWEEN THE IMAGES PUBLICATION 2009
CHANTAL AKERMAN
JOHN AKOMFRAH
GUY BEN-NER
JAMES BENNING
WANG BING
BLACK AUDIO FILM COLLECTIVE / REECE AUGUISTE
MAGNUS BÄRTÅS
NANNA DEBOIS BUHL
ANDREA FACIU
HARUN FAROCKI
ION GRIGORESCU
IVAN GRUBANOV
EMMA HEDDITCH
DANIEL KNORR
RUNO LAGOMARSINO
THE OTOLITH GROUP
ANNIKA RUTH PERSSON
LUKASZ RONDUDA
ANRI SALA
HEDWIG SAXENHUBER
INES SCHABER
MIRI SEGAL
SIMON SHEIKH / ALEX VILLAR
FERNANDO E. SOLANAS och OCTAVIO GETINO
VALIE EXPORT
ALEX VILLAR
John Akomfrah wip:konsthall
Söndag 14 dec

John Akomfrah
Om dokumentära filmstrategier i
det egna arbetet och med Black
Audio Film Collective.
Föreläsning,15.00
Black Audio Film Collective: Seven Songs For Malcolm X,Director John Akomfrah, 1993
Black Audio Film Collective: Seven Songs For Malcolm X,Director John Akomfrah, 1993



Filmmaker John Akomfrah will give a talk presenting earlier film projects from the Black Audio Film Collective and current solo projects.

The Black Audio Film Collective was formed in Hackney, London in 1982 by John Akomfrah, Reece Auguiste, Edward George, Lina Gopaul, Avril Johnson, David Lawson and Trevor Mathison. It was one among many such collectives founded in Britain in the early to mid 1980s. This period was characterised by the founding of new independent broadcasting stations, encouraging innovative work, but also by the increasingly free market ideology of Thatcherism. Political commitment and formal experimentation characterise the Collective’s work. Exploring the nature of belonging and intimacy, they combined a montage aesthetic with personal reflection to invent a new genre of moving images that challenged the traditions of British documentary and drama. In the 1980s the Collective produced acclaimed experimental documentaries such as "Handsworth Songs" (1986), a film essay about the riots in Birmingham and "Twilight City" (1989, see below). Representations of black history, diaspora, memory and political struggle are evident themes in all of the Collective’s work. The past, present and possible future of black popular and political culture in Britain has been at the core of the Collective’s engagement, as well as a desire to build an independent cine-culture through theoretical, critical, speculative and fictional writings. Unlike other artists working with moving images, the Collective operated within and between the cultural spaces of the international film festival, the art gallery and broadcast television.

In 1998 the Collective dissolved, though its members - most notably John Akomfrah - continued to work individually.

Black Audio Film Collectives film "Twilight City" will be screened at Cinemateket on 6 November 8 pm.






wip:konsthall
Årsta Skolgränd 14 bd
117 43 Stockholm
tel: 08-84 26 47
www.wipsthlm.se
öppet: tis & tors 12 ons 12
lör 12/textarea>
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